Books
Cleland, K and Muller, L (Editors) (2008) Mirror States, Campbelltown Art Centre, Sydney
Edmonds, E.A., Muller, L. and Turnbull, D. (Editors) (2006) Engage: Interaction, Art and Audience Experience, Proceedings of the Engage Symposium, November 2006, Sydney. Creativity and Cognition Press, Sydney
Selected Essays
Jones, C and Muller, L The Giver of Names, by David Rokeby: Documentary Collection, Daniel Langlois Foundation, Montreal
Muller, L (2008) Towards an Oral History of New Media Art, Daniel Langlois Foundation, Montreal
Muller, L (2008) “Reflected Selves”. In Cleland, K and Muller, L. (Eds) Mirror States. Campbelltown Art Centre, Sydney
Muller, L (2007) “A hundred tongues … Flutter by Alex Davies.” In Keehan, R (editor), Artspace Projects 2006, Artspace, Sydney
Muller, L (2007) “Cardiomorphologies, by George Khut.” In Stillness, Thomas, P., Biennale of Electronic Art, Perth.
Muller, L. (2006) “It’s all about you: George Khut’s biofeedback installations.” In Ivanova, A. Strange Attractors, charm between art and science, Novamedia, Melbourne.
Muller, L (2002) The Perfect Circle: Homecoming and Ritual in Mike Stubbs’ Donut. Centre for Contemporary Art, Glasgow
Refereed Academic Publications
Jones, C. and Muller, L. (2008) Between Real and Ideal: Documenting New Media Art, Leonardo, MIT Press
Muller, L., Robertson, T. and Edmonds, E. (2006) Experience Workshops. In proceedings of OZCHI, Sydney, November 20-24th 2006, ACM International Conference Proceedings Series, Sydney.
Muller, L., Edmonds, E. and Connell, M. (2006) Living Laboratories for Interactive Art. CoDesign: International Journal of Co Creation in Design and the Arts, Special Issue on Interactive Art Collaboration, Vol 2(4), 195-207, Routledge Publishing, Taylor & Francis Group. UK, Australia, USA.
Edmonds, E. A., Muller, L, and Connell, M. (2006). On Creative Engagement. Visual Communication. Vol 5(3). pp. 307-322, SAGE Publications, London, Thousand Oaks, CA and New Delhi.
Muller, L. and Edmonds, E. A. (2006). Living Laboratories: Making and Curating Interactive Art. SIGGRAPH 2006 Electronic Art and Animation Catalog, Boston, August 2006, pp 160-163, ACM Press, New York.
Muller, L., Turner, G., Khut, G. and Edmonds, E. (2006). Creating Affective Visualisations for a Physiologically Interactive Artwork. In Proceedings of the 10th International Conference of Information Visualisation, London, 5-7 July 2006. pp 651-658, IEEE Computer Society, Los Alamitos, California.
Khut, G. and Muller, L. (2005) “Evolving Creative Practice: Working with audience experience in Cardiomorphologies” In Proceedings of Vital Signs, Melbourne, Sep 2005, RMIT/Informit, Melbourne, Australia, available at http://www.informit.com.au
Costello, B., Muller, L., Amitani, S., Edmonds, E. (2005) Understanding the Experience of Interactive Art: Iamascope in Beta_space, in proceedings of Interactive Entertainment, November 2005, Sydney.
Kan, M., Robertson, T., Muller, L. and Sadler, K. (2005) Designing a Movement-Based Interactive Experience Using Empirically Derived Personas and Scenarios, In Proceedings of Approaches to Movement-based Interaction Workshop, Critical Computing 4th Aarhus Conference, 21 August, 2005, Aarhus, Denmark.
Selected Art Criticism
Smelling the sun, breathing a river: New works by Joyce Hinterding and David Haines
Realtime (Issue 89, Jan-February 09)
Realtime (Issue 76 - December - January 07)
A grand tour of Australian media art
RealTime (Issue 71 - February / March 06)
Evocative objects, strange selves
RealTime (Issue 70 - December 05 / January 06)
The future makers
RealTime (Issue 70 - December 05 / January 06)
Cell break
RealTime (Issue 69 – October / November 05)
Art and the innovated human
RealTime (Issue 67 – June / July 05)
Notes from a floating world: ISEA 2004
RealTime (Issue 63 – October / November 04)
Selling subversion: onedotzero at the 51st Sydney Film Festival
RealTime (Issue 62 - August/September 04)
The public face of online interaction
RealTime (Issue 62 - August/September 04)
email: lizzie[at]lizziemuller[dot]com